"Nothing’s forgotten.
Nothing is ever forgotten."
Celebrating 35 years
of Robin of Sherwood.
Exclusive interview with the fabulous Clive Mantle
There have been many retellings of the story of Robin Hood, but one of
the most enduring has to be the 1980’s television series Robin of Sherwood.
Today I am joined by the fabulous Clive Mantle, who fans of the show will know played
the down-to-earth and extremely memorable, Little John.
Hi Clive, it is such an honour to have you on Myth’s, Legends, Books
& Coffee Pots today. Little John was such an integral part of the Robin
Hood story. How did the role of Little John first come to your attention?
Esta Charkham, who
cast it, knew me from the National Youth Theatre, and got in touch with my
agent. As far as I knew it was going to be the normal process of dozens of
actors trooping in one by one until they got who they wanted. How wrong was I
!!
I walked into a
small office at Pinewood and was immediately hugged by Paul Knight, the
producer, and more or less welcomed aboard. I was flabberghasted. He and Kip
Carpenter had seen me play Little John in a glorious stage production at the
Young Vic Theatre in London, completely unbeknownst to me, and had practically
decided there and then.
So I was the only
person seen for the part amazingly. It was my luckliest break. Great men both, with the brilliant Esta championing
my cause. I owe them all a great debt of gratitude.
You had the part before you even auditioned, that must have been an amazing
feeling, but I am not surprised. No one could have played Little John as you
did. Did you do any background research
into your character?
I had been a part
of a superb stage version directed by David Toguri, and written by Dave and
Toni Arthur. It bore very little resemblance to the TV series, but the voice
and the headstrong emotional side of the character I’d worked on already.
You were born to play Little John, then! How much influence did you have
on how Little John was portrayed?
Kip listened to us
and wrote to our strengths as he got to know us. We had regular meetings in
various hotel bars and suggested things to him, most of which emerged in one
form or another.
What was the atmosphere like on set?
Never before or
since have I had such a wonderful time at work. A constant joy and a pleasure
from beginning to end. I wish we were still making them today. The cast and
crew were very special and an unbreakable bond united us all from in front and
behind the camera. It was set up by the great Ian Sharp, who laid down the way
things would be done, and with our social secretary, Ray Winstone, in charge of
japes and wind-ups, life was never dull.
There is a real sense of Good vs
Evil in Robin of Sherwood, and there were some very memorable villains. Who
was your favourite villain and why?
Anthony Valentine
I think, although they were all wonderful. Anthony was the stillest and most
frightening and the greatest pleasure to work with, as I had quite a lot to do
with him.
As a child I was terrified of Anthony Valentine’s character, ‘Baron Simon de Belleme,’ but not
enough to stop me from watching! He was the most deplorable villain — very
sinister.
Little John’s choice of weapon was the quarterstaff. How long did it
take you to learn to use a quarterstaff
and were they any accidents?
Terry Walsh, our supreme stunt coordinator altered my approach from the
word go, and said I should use it like a rifle and bayonet and not let people
with swords near me. It was a great thing to say and I responded well to it. It
sparked my imagination and many Norman soldiers got a taste of the sharp end.
Always little knicks and cuts, and I put my back out once, but we escaped
largely unharmed.
You certainly looked very impressive on the television with your
quarterstaff. My siblings and myself used to play Robin Hood in the woods, and
we always ended up making quarterstaffs out of small branches we found on the
floor. We all came away with bruises too!
Who was the best shot with a bow and arrow? Who was the worst?
Praedy was pretty
good I seem to remember, or maybe he just tells me that a lot, and the mists of
time have obscured the truth.
Ray actually broke
a lens by loosing an arrow at an automatic camera set up alongside a target,
but I wouldn’t call him the worse shot to his face I can tell you that for nothing.
Ray Winstone (Will Scarlet), Clive Mantle (Little John), Mark Ryan (Nasir). |
I am sure Michael doesn’t exaggerate his prowess with a bow and arrow,
at all, and I am sure Ray meant to hit the camera lens!! What was your most
memorable scene while filming?
It’s so long ago
now, I enjoyed every minute, but ‘The King’s Fool” and the argument with Robin
probably stands out for me.
The King’s Fool was such a great episode. Did Robin of Sherwood change
your life in any way?
Completely and utterly
changed my life and my standing in the business. It was a remarkable show to be
part of and I’m the luckiest actor alive to have been part of it.
Do you still keep in touch with any of the cast?
No, as you can
tell, I hate them all !!!
We all still see a
lot of each other even though some of our number spend great chunks of time
abroad. We see each other at events like conventions and sadly now funerals,
but the last time we were all in the same room, apart from Phil who was sorely
missed, was at my 60th Birthday party 2 years ago.
Jason Connery (Robin) , Mark Ryan (Nasir) , Clive Mantle (Little John), Peter Llewellyn Williams Much), Phil Rose (Friar Tuck). |
Mark Ryan, Clive Mantle, Jason Connery. |
Thirty-Five years on and Robin of Sherwood is still enjoyed by so many
people. What kind of legacy do you hope Robin of Sherwood will leave for future
generations?
It’s a heartfelt
telling of the tales of Robin, told with love and passion, and the absolute
need for justice running like a spine throughout.
Other people have
tried since and have offered pale imitations of what we all achieved. Sooner or
later a new version will eclipse ours, but only when a writer of Kip’s
compassion, moral strength, drama and vision tackles the sagas. Not many of
them about.
Happy Days all of
you.
Thank you so much Clive for the special insight into Robin of Sherwood.
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