Friday 29 March 2024

Writing in a strange world – the past by Alison Morton


 Writing in a strange world – the past
By Alison Morton


The word trap

“No dozens here, legate!” No, the concept of dozen didn’t exist for the Romans, and was something I’d forgotten. EXSILIUM was at copy-edit stage, but just in time I realised to my horror I’d used ‘dozen’ and ‘half-dozen’ in several places to describe small groups and even worse, in dialogue. Luckily, there were only half a dozen(!) rampant dozens to track down and extirpate. 

For writers of Roman historical fiction, the other difficulty is that while hours were defined – prima hora, secunda hora – Romans didn’t use minutes or seconds. Cue heartbeats, breaths, glancing, picking things up and throwing things on the ground, etc. for those short, tense gaps.

Although we can scatter a few words here and there, we can’t write the whole novel in the language of the historic period and setting of our book if we want it to be accessible to 21st century readers.  However, we can try and keep anachronistic bloopers such as ‘dozen’ and ‘minute’ to a minimum. 

Nothing so inevitable as the passing of time

Since my first encounter with an immaculate mosaic in Ampurias, a former Greek and Roman trading port in northeast Spain, I’ve been mesmerised by Ancient Rome. I’m fairly familiar with its history, especially in the west where it lasted 1,229 years. However, as I do with all my novels, when writing EXSILIUM I checked on many individual things I thought I knew. Sometimes you do remember correctly, other times the memory is a little fuzzy. 

By AD 395 ¬when EXSILIUM is set, everything in Ancient Rome had moved on since the time of Augustus and Hadrian, from armour and military organisation to clothes and dining arrangements. This period even has a different name – Late Antiquity.

Photo of the approach to Pola today with the Roman amphitheatre centre left.

Something unexpected was the frequency with which Roman towns changed their names over the years. Name changes depended on the emperor, his pet project, his aim to obliterate his predecessor’s existence or as a reward. For instance, Pula in Istria, Croatia, was a major port and the administrative centre of Histria from ancient Roman times until 1991. 

Known to the Greeks as Polai, the "city of refuge” and enjoying the prestige status of a Roman colonia for a long time, it was destroyed in 42 BC by Octavian, who became Rome’s first emperor as Augustus, for taking the wrong side in the civil war. (Never a good idea!) Rebuilt at the request of Octavian's daughter Iulia, it was then called Colonia Pietas Iulia Pola Pollentia Herculanea, short form Pietas Iulia. Two hundred years later during the reign of emperor Septimius Severus (AD 193-211), the name of the town was changed again, this time to Res Publica Polensis. By the time of JULIA PRIMA and EXSILIUM, that’s its formal name, but I bet the locals simply referred to it as Pola.

The time-trip

Although a great deal of the architecture of Ancient Rome is in ruins, a surprising amount has endured. Amphitheatres, aqueducts, bridges, roads, walls, sometimes even whole buildings have survived two thousand years; the Romans were indeed talented civil engineers.  There’s nothing like standing on a Roman road incised with the ruts of hundreds of thousands of wheels or walking through the Forum Romanum, perhaps gazing up at the Aurelian walls in Rome or staring at breathtaking arches of the Pont du Gard aqueduct in southern France, then closing your eyes and letting your mind wander. You have to clear away the modern cars, people and roads and let your knowledge supplement your imagination. It’s easier in more remote parts away from the built environment such as in the spaces between the barracks at Carleon in Wales (Isca). You see the same countryside, smell the same weather, look at the same sky that those legionaries experienced. 

The Roman barracks at Caerleon.

If you can’t take a field trip, then there’s Google Maps. It’s astounding how clearly Roman roads and town remains show up from the landscape using the satellite view.

Consulting a specialist

I’d researched a fair bit about horse trekking and riding in the 4th century when I was researching for JULIA PRIMA and knew about the ‘no stirrups’ rule and horned saddles. But I don’t ride and I confess I’m rather nervous around horses. So I consulted an expert, Helen Hollick, who not only writes excellent historical novels but also rides and breeds horses. She gave me some guidance and suggestions about how it feels to sit on a horse while travelling and how often to stop to rest, water and feed your animals.  Fellow Roman fiction writers Ruth Downie gave me some sound advice about travel and recommended the comprehensive Travel in the Ancient World by Lionel Casson and Gordon Doherty sent me a wonderful reading list for the 4th century. 

In over thirteen years of writing novels, I’ve appreciated very much the help from others and tried to give back by advising on foreign languages and general history. Researching and writing is not a solo game! 



Exsilium
By Alison Morton


Publication Date: 27th February 2024
Publisher: Pulcheria Press
Page Length: 364 Pages
Genre: Historical Fiction

Exile – Living death to a Roman

AD 395. In a Christian Roman Empire, the penalty for holding true to the traditional gods is execution. 

Maelia Mitela, her dead husband condemned as a pagan traitor, leaving her on the brink of ruin, grieves for her son lost to the Christians and is fearful of committing to another man.

Lucius Apulius, ex-military tribune, faithful to the old gods and fixed on his memories of his wife Julia’s homeland of Noricum, will risk everything to protect his children’s future.

Galla Apulia, loyal to her father and only too aware of not being the desired son, is desperate to escape Rome after the humiliation of betrayal by her feckless husband.

For all of them, the only way to survive is exile.


Pick up your copy of
Exsilium


 Alison Morton


Alison Morton writes award-winning thrillers featuring tough but compassionate heroines. Her ten-book Roma Nova series is set in an imaginary European country where a remnant of the Roman Empire has survived into the 21st century and is ruled by women who face conspiracy, revolution and heartache but use a sharp line in dialogue. The latest, EXSILIUM, plunges us back to the late 4th century, to the very foundation of Roma Nova.

She blends her fascination for Ancient Rome with six years’ military service and a life of reading crime, historical and thriller fiction. On the way, she collected a BA in modern languages and an MA in history.  

Alison now lives in Poitou in France, the home of Mélisende, the heroine of her two contemporary thrillers, Double Identity and Double Pursuit. 



You can also find her on the following social media platforms:
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Friday 22 March 2024

An Author's Inspiration by Charles Presti

 
An Author's Inspiration
By Charles Presti


Writing about the backdrop for "Covered in Flour" takes me back to 1968, an unforgettable chapter in American history. It was a year that mixed up everything in a tumultuous blend of social unrest, political shocks, and a war that seemed to never end. Now, imagine seeing all of this through the eyes of an eight-year-old—me, back then. My dad, gearing up in his riot control outfit, is one of those memories that just sticks with you. He had this gear, right? A white helmet, a wooden baton, and the sap—a heavy, metal-filled club. For a kid, this was more than just clothing; it was a signal that big, serious things were happening.

Our family life kind of revolved around these events. We'd watch the news, seeing cities burning and people marching, and then we'd sit at the dinner table and talk about it. I remember feeling this mix of fear and fascination, trying to make sense of it all. My dad, preparing to face the riots, became my personal link to the chaos outside our front door.

Reflecting on this as an adult, and writing "Covered in Flour," I dove deep into what 1968 meant. It wasn't just about recounting the big headlines; it was about feeling that year, understanding the tension, the hopes, and the fears. I pored over family stories, historical records, and tried to capture the spirit of the times. My aim was to bring readers into that year, to feel the upheaval and see how it shaped a young boy's view of the world. It's this journey from innocence to a broader understanding of society that I wanted to share, all set against a backdrop of a country at a crossroads.



Covered in Flour
By Charles Presti


Publication Date: 10th October 2023
Publisher: Charles Presti
Page Length: 220 Pages
Genre: Historical Fiction

It's 1968 in Whisper Haven, and 8-year-old Carl Pozzi’s world is about to change.
 
For eight-year-old Carl Pozzi, 1968 begins like any other year—playing kickball with friends and enjoying the comforting aroma of Mom's pasta dinners in their predominantly white suburban Whisper Haven home. But when Carl's teacher introduces lessons about racial prejudice and injustice, his worldview cracks wide open.

How far can innocence stretch before it snaps?

As Carl flips through the pages of his 3-ring binder, each lesson serves as a gateway to a journey of self-discovery and understanding. It's an expedition that not only changes him but reshapes his whole concept of family and justice—especially as he watches his father put on a police uniform during one of the most fraught periods in American history.

"Covered in Flour" is not just a heartfelt stroll down memory lane. It's a captivating coming-of-age saga that digs deep beneath the surface of suburban tranquility. It beckons you to reconsider long-held family values and confront the societal norms you've taken for granted. 

Written with genuine love, humor, and a tinge of sorrow, this story blends the nostalgia of tradition with the inevitability of change, offering a stirring mix that leaves you pondering long after the last page is turned. This book isn't just a delightful read; it's a catalyst for introspection, freshly baked and served for your soul.

Pick up your copy of 
Covered in Flour
 HERE!

Charles Presti

Charles Presti, emerging from the sun-drenched shores of Pensacola, Florida, crafts narratives that echo with the richness of his varied life. His journey from a USF College of Medicine graduate to a storyteller is as unconventional as it is inspiring. Drawing from his days as a physician and informatics specialist, Charles infuses his writing with a rare blend of scientific precision and heartfelt emotion. His debut novel, "Covered in Flour," is a vivid tapestry of his Italian-American heritage, his experiences in the whirlwind era of the 1960s, and his personal journey as a gay man. These elements converge to create stories that not only entertain but resonate deeply with themes of family, discovery, and the delicate dance of life's everyday moments.

Charles's passion for storytelling is paralleled only by his commitment to fostering diversity and inclusion. Alongside his husband, Mike Bruce, and their beloved Wheaton Terrier, Zoey, he is a vibrant force and founder of "Sunday's Child," a local charity dedicated to nurturing inclusion and empowering LGBTQ+ and  other marginalized communities through grants to local charities. A pillar in the Emerald Coast Writers group, he continually explores the nuances of identity, heritage, and a sense of belonging. Discover more about Charles's captivating world and "Covered in Flour" at www.coveredinflour.com, where each story is a window into a life lived fully and authentically.






Thursday 14 March 2024

Five Minute History - rock concerts and the changing musical scene in St. Louis in 1970

 

Five Minute History

Rock concerts and the changing musical scene in St. Louis in 1970.

By Trish MacEnulty

One of the most fun things to research for my novel Cinnamon Girl was rock concerts and the changing musical scene in St. Louis in 1970 where my protagonist, Eli Burnes, goes to live with her father when she is fifteen. 

Some aspects of the book are based on my own life. When I was fifteen I lived with my older brother and his family for a year in Webster Groves, a satellite community in St. Louis County. At a Moody Blues Concert I met a really cute boy who worked at a headshop so of course, I had Eli meet her boyfriend (who works at a headshop) at a Moody Blues Concert. They go to several more concerts after that because the boyfriend gets free tickets through his work.

I found dates, venues, opening acts, and songlists for all those concerts on the Internet as well as reviews of the concerts. This helped a lot with my faulty memory. And I think it’s important to have specific songs to reference.

Here’s an excerpt from the book when Eli and her boyfriend go to a Jethro Tull concert:

The Jethro Tull concert was fabulous. First Procul Harem came on, and the audience went wild when they played “Whiter Shade of Pale.” I never understood what the words meant, but it didn’t matter. It was the mood that the music put you in, especially the electric organ as if you were in a psychedelic church service. 

During the break Zen and I walked around, hand in hand, looking at the freaks and hippies. Both of us in our bell bottoms and head-shop gear, we fit in perfectly. We had seats in the fourth row and I felt like we were hippy royalty, which is what my English teacher would have called an oxymoron. 

Then Ian Anderson bounded out on the stage, flute in hand. He was all bushy hair and red beard, wearing a long coat that looked like something out of a medieval fairy tale. The band mem-bers fiddled with their equipment and Ian paced like a tiger while the audience grew antsy. “Get it on!” a guy yelled impatiently. The band pretended not to hear them. Just when it felt like the ten-sion would explode, the music erupted — Ian Anderson’s deep voice telling us that “Nothing is easy.” He stood at the mic, blowing his flute, one leg up like a stork, bouncing his dangling foot to the beat of the music. 

Thanks to my research I was able to combine YouTube videos, playlists, and my own memory to recreate the concert. 

Another aspect of the music scene in that era was the advent of FM radio. In the 1960s, everyone listened to AM radio. AM radio had a specific formula: three-minute popular songs, boring news-casts, endless contests, and super-extroverted guys for DJs (I don’t ever remember hearing a fe-male DJ!). FM came along, and the quality of sound was better, the mellow DJs had more control over what they played, and there wasn’t a formula they had to follow. This was the beginning of album-oriented rock. For the first time you might hear someone like Joni Mitchell or a band like Crosby, Stills, and Nash on the radio. 

In St. Louis, the cool FM station was KSHE, which debuted their rock ’n’ roll format in 1967 by playing Jefferson Airplane’s iconic “White Rabbit.” I remembered the switch from AM to FM in our listening habits, but I didn’t realize the importance of FM to the culture. 

Jethro Tull

After doing some research, I discovered the role of FM radio in protest and hippie culture. An arti-cle written by authors Chapple, Garofolo and Rogers in Mother Jones magazine explains: “FM stations established switchboards that provided listeners with rides, addresses of places to spend the night and news of concerts and demonstrations. San Francisco's KSAN was ‘information cen-tral,’ … ‘The station was just where people would call when they were in trouble. The classic was at KMPX where a kid called one day who'd been busted in Sacramento for grass. They allotted him one phone call, so he called us, ‘cause we were the only friend he had. You had a lot of that.’ Many FMs built radical news departments that did not simply ‘rip and read’ the wire service re-leases as AM did, but gathered their own news from a variety of sources.” This was especially im-portant to my story, as Eli’s dad is a DJ who is involved in the peace movement. 

When you’re writing “history” that took place during your own lifetime, research becomes vital to your understanding of that history. Just because you lived it doesn’t mean you remember it accu-rately or fully. Research is about discovery. I think it’s one of the most fun parts of writing histori-cal fiction. 




Cinnamon Girl 
By Trish MacEnulty


Publication Date: September 11th, 2023
Publisher: Livingston Press
Page Length: 311 Pages
Genre: Historical Young Adult
 (but boomers love it, too)!

Winner of the Gold Medal in YA Fiction from The Historical Fiction Company!

When her beloved step-grandmother, a semi-retired opera singer, dies of cancer in 1970, 15-year-old Eli Burnes runs away with a draft-dodger, thinking she's on the road to adventure and romance. What she finds instead is a world of underground Weathermen, Black Power revolutionaries, snitches and shoot-first police.

Eventually Eli is rescued by her father, who turns out both more responsible and more revolutionary than she'd imagined. But when he gets in trouble with the law, she finds herself on the road again, searching for the allies who will help her learn how to save herself.

"The book is a fantastic read: fast-moving, full of smoothly woven historical detail and rich characterizations, all told in Eli's appealing voice." — Sarah Johnson, Reading the Past

Pick up your copy

Trish MacEnulty


Trish MacEnulty is the author of a historical novel series, literary novels, memoirs, a short story collection, children’s plays, and most recently, the historical coming-of-age novel, Cinnamon Girl (Livingston Press, Sept. 2023). She has a Ph.D. in English from the Florida State University and graduated Magna Cum Laude from the University of Florida. She currently writes book reviews and features for the Historical Novel Society. 

She lives in Florida with her husband Joe and her two tubby critters, Franco and Tumbleweed. More info at her website: trishmacenulty.com.

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